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“Here was a movie I didn’t know about that was made in my home town, that was shot for around $250,000 with a small crew within 14 days,” says Eisener, who appears on the restored version’s commentary track with director Paul Donovan. The original trailer for Salter Street Films' Siege is one of the bonus features of the new DVD/blu-ray release from Severin Films. And now it’s getting a new lease on life with its first video release of the digital age on DVD and blu-ray from Severin Films. The Salter Street Films production is also a keystone in the foundation of the early days of the East Coast film industry it was one of the first features screened at the second Atlantic Film Festival along with William D. It’s a name that doesn’t generally switch on the light of recognition in the eyes of your average movie watcher, but for fans of Canadian low-budget entertainment, otherwise known as “Canucksploitation”, the 1983 Halifax-shot thriller is a high watermark for independent action films of the time. Visitors wanting to see it themselves, and unafraid to face the throbbing masses, can make it to Kawasaki from Tokyo in an easy day trip on the first Sunday of April, any year, and see for themselves the giant phalluses of Kawasaki - and the many men who get them up.When Dartmouth filmmaker Jason Eisener was out on the road promoting his dynamic cult hit feature Hobo With a Shotgun, he and his producer Rob Cotterill would frequently be asked about the film’s influences.Īt the top of the list of films that had some bearing on their brutal tale of revenge starring the late Rutger Hauer, scripted by friend John Davies, was a one-word title: Siege.
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This year marks a half century for the festival in its modern form. Three, in total, are carried around town two are of metal and one, true to Japan's contemporary anime-loving culture, is of the cheery, bubblegum-hued cartoon variety, and lofted by 18 fellows wearing glitter and fantastic makeup.įor the prudish, it might be hard to see, but it does have its benefits: These days, sales from the festival - penis clothing, candy, food, toys - rake in gobs of money every year, put duly to work toward HIV research. Local families and businesses work for months to make the enormous genitals carried on the shoulders of teams of men through Kawasaki's tight streets. They enjoy them all while snapping not-quite-ready-for-Instagram selfies and watching a parade of all of Kawasaki's manliest men, struggling to carry a bunch of giant junk through the street. Revelers carry penis lollipops (funny to look at, but not particularly tasty), phallic vegetables, and enough whimsical toys to stock a year's worth of Las Vegas bachelorette parties. While beautifully frocked Shinto priests in the shrine celebrate the thousands-year-old god, long worshiped by prostitutes fearing disease and pilgrims worried for their fertility, a different sort of celebration is going on outside, as tens, if not hundreds of thousands of partiers take to the streets.
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Made of old stone and boasting a small but pretty network of traditional orange torii gates, it was built in roughly 698 CE - but is now more famously home to the festival - in prim and proper Japan, an unusual but charming celebration of the sacred and the profane.
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The shrine is humble but has stood the test of time. History forgets to mention why she failed to warn the second guy.įinally a third, more determined suitor, a blacksmith, created an iron phallus that broke the demon's teeth the man won over the beautiful woman while the demon presumably returned back to the ether to receive quite the lecture from his orthodontist. Legend holds that a jealous, red-faced, sharped-tooth demon hid in the vagina of a goddess and then bit off, to their great surprise, the penises of her first two husbands.